Sunday, January 8, 2012

it's new year's miracle

Stop the presses, people!
I actually have my New Year's cards made and mailed in the first week of January.
Normally, about now, i might have a design in mind or mayhaps even be prototyping.
 But this year, i'm DONE.
{okay, technically i still have to write inside the ones i am taking to work, but that's on the agenda for tonite}
Thanks to that extra day off, courtesy of my awesome team, i was able to really bust them out over a 3 day period.
The magic number this year was 75 and since i am neck deep in getting ready for the jewelry show I deliberately made the design a little easier to execute this year. It isn't completely stripped down like 2007, but it certainly isn't the double-sided, hand-painted odyssey of 2010 either. A lot of the visual interest was done with cutting; once it was designed i could set up an assembly line and get busy with my table top rotary cutter. There was a beaded element that took a bit of time, but i checked Season Three of Castle out from the library and did an 11 episode marathon to get it done.

NEXT!

Saturday, January 7, 2012

Mars300

The first part of this adventure can be found here.

Have you ever tried to run in a floor-length lace and sequin gypsy skirt that is soaking wet?
I wouldn't recommend it.
I swear that my skirt had the same specific gravity as galena as i pounded up the rather creepy side stairs of the Hammerstein Ballroom to the second mezzanine, but by jiminey i was on a mission.
I bought the tickets right when they went on sale so i could have gotten floor seats, but when you are 5'2 and three-quarters there is no point of being on the floor unless you are guaranteed to be in the front row, so i went with the balcony knowing that i'd be able to see even if i didn't get to the very front.
But, i did indeed get to the very front.
In fact, i could have had front and center, but i chose to go front and slightly stage left because that was where the drum set was and we all know that i have a deep and abiding love for all things percussive.
Then, it was time to wait.
The ushers wouldn't let us stand at the railing until show time so i sat in my seat and waited.
And waited.
Lordy, time was moving slowly.
Look, the ceiling is cool:

sigh... too dark to read my book...
waiting...
Talking to the sisters next to me that had been standing in the rain for 13 hours; feel a smidge guilty that i only stood in the rain for 2 hours and have the same seat.
Do i hear music?

my view, without zoom :-)
The big screens over the stage start playing 30 Seconds to Mars videos.
The crowd goes bonkers.
It is still nowhere near show time, but using videos to fluff the crowd is brilliant. I've never seen a band use their own music for the pre-show wait, but now i wonder why everyone doesn't do it because the atmosphere in the ballroom was crackling electricity.
Final sound check; I enjoy that the techs can just ignore the blaring videos.
waiting...
Video screens cut off mid-song, lights go out and IT IS TIME -
...for the opening band.
sigh...
I understand the point of having an opening band, but i swear that 8 times out of 10 it is just a disappointment. And this opening band... i'm not even sure if they were one of the 8 or one of the 2. In fact, their whole set made me feel like i was really drunk. Semi Precious Weapons are a New York band that put a lot of energy into showmanship. The frontman was a charismatic freak (i mean that as a compliment) that got the front of the crowd really riled up, but up on the balcony i was contemplating their lyrics, such as Put a diamond on it and bite down or the classic She wants free booze, no rules and you. They were really something and I was certainly entertained, but i'm not sure it was in the way SPW intended.
Finally, finally, finally 30 Seconds to Mars took the stage.
They were amazing.
I described Muse as more than epic and U2 as a spectacle. 30STM had all of the flash and lights and lasers and sound and giant inflatables of an epic spectacle,






but the whole show felt much more intimate.
It had something to do with the size of the ballroom, but it really came from how the band interacted with the crowd. This was the last big concert of a 2 year tour and they held nothing back. The crowd, in turn, projected raw energy back to them. It was unlike any other concert experience i've ever had.
The frontman, Jared, talked to the crowd throughout the show and i could see the guitarist, Tomo, and the drummer, Shannon, interacting with the people on their sides of the room between songs.

Plus, since this was a world record breaking show (more about that later) it was being streamed via VyRT so Jared would interact with people all around the world while telling us what they were saying.



It felt like a huge house party with a much better band than you could ever actually get for a house party.
In the rush to get ready i'd left my earplugs in Baltimore and was pleasantly surprised that except for when the opening band was playing i didn't miss them. It was actually appropriately loud with the sound fully filling the room, instead of needlessly ear-splitting and generally the sound engineer did a nice job (i would have mixed Jared's mike louder, but then again i am never really happy unless i am running sound myself).
Like any good play list there was a good mix of super-high energy songs and quieter moments,
like when Shannon came out from behind the drums to play a Tibetan singing bowl (really) and guitar for a song he wrote from the last album
or when Jared showed up all the way at the back of the audience on a tiny stage next to the sound board to do several acoustic songs; basically he was right below me and about 20 feet to my right. Again, the music was fantastic, but what really struck me was the genuine emotion filling the room. He talked about how this was the last time he would get to do this for who knows how long and sang his heart out on about 4 songs, taking requests from the crowd.
Partway through his acoustic version, i saw Tomo and Shannon come back to the main stage (even with Jared 20 feet away, my eyes naturally look toward the drums; i think it might be a clinical condition) and launch into the full band version



at which point Jared stepped onto the security barrier for the tiny stage and indicated for the crowd to part between him and the main stage. They did and he leaped down to the floor, running through the crowd, singing. It took me completely by surprise; i have never seen anything so insane. The crowd let him get part way before they started to close in and he almost made it to the stage before they gobbled him up like an amoeba.

He's almost to the stage

Holy crap, where's Jared?
Security managed to dig him out -still singing, by the way- and bodily threw him over the security barrier onto the catwalk. I enjoy a wee touch of insanity in my frontmen.
At this point in the post i'd insert a video snippet of them nailing my favorite song of theirs, Closer to the Edge, but i was dancing so hard by that point in the show that i kinda flailed my camera into a metal pole and she was understandably a bit persnickety after that so i thought better of trying to shoot video. [note: the link on the song title is a performance video of it, so you can kinda get the idea]
Before the concert it would be fair to say that Shannon Leto was my drummer crush. His self taught playing style delights me to no end when in song after song he makes awesome choices that no classically trained drummer would even consider; he embraces full tonality like a rock drummer, but is more polyphonic and rhythmic like a jazz drummer. [if i just lost you, i mean that he is really different from other drummers, but very good] Now that i've seen him play live i think that he might be my one true drummer love. I can't imagine ever finding another drummer that i'd rather watch play. I won't subject you to a song by song analysis, but trust me, i could.

that is a bitchin' kit

intense much?


Almost at the end of the concert a gentleman in a suit from Guinness World Records took the stage.
At some point someone counted up the shows that 30STM had played on this tour and realized that with just a few more it would be a world record. Hence the shows added in New York even though the last leg of the scheduled tour was in Europe.
Here, rather out of focus (my wee pink camera was throwing a full on fit at this point about how i treat her), is Tomo, Jared and Shannon receiving the certification of playing the most number shows for a rock band on the same album cycle, which is why the whole weeks events were called Mars300. [i think the final official number was 309 shows in something like 745 days]




The set list was mostly from the last album This is War and the hits from the previous A Beautiful Lie, but one of my favorite parts of the show was when the band pulled out some earlier songs. Jared called for requests and they'd just play bits and pieces of songs. Tomo talked to Jared with his guitar, playing riffs from various things to suggest what he wanted to play next, some of which elicited an Are you kidding? or I don't think the bass player knows that one. My favorite reaction to a suggestion was Jared looking hard at Tomo and saying Okay, let's at least try to get through the chorus. It seemed like the band was making every second that they had left on stage count; they were having as much fun -if not more- as the crowd.
I don't have any pictures of the last part of the concert where Jared pulled a 5 year old from the crowd and talked to her like there weren't thousands of other people present -it was adorable- or the very last song where about 60 or 70 people from the crowd were on stage singing and dancing with the band.
Or when Jared stopped the song in the middle and called for medics because someone was hurt in the pit. Yep, he just stopped singing. I know from being on stage on a much, much smaller scale that when you are really on an adrenaline high from a great show it is hard to see around you so i am frankly shocked that he even noticed that there was a problem. Not only did he notice, but he took action. MTV News (an oxymoron if there ever was one) reported that a woman had been trampled, but in fact she slipped while dancing [a girl that had come from New Zealand for the concert was next to me at the merch stand later and had been standing next to her when she went down]. The band handled it really well, giving us updates about what was happening and telling us not to leave. Once the medics took her out took cheering from the crowd, the band started right back into the song. Awesome.
To finish out the whole reckless-at-a-rock-show experience i decided to find the stage door and wait for the band. Though i did meet Nickel Creek after their show it was pretty much by a coincidence; i've never intentionally tried to wait for some one famous and thought that it would be a fun new thing.
Did i mention that it was raining?
And really cold?
Getting colder by the moment?
But by jiminey when i make up my mind there is a deep streak of stubbornness to back it up.
I didn't risk the camera in the rain to take pictures of the other few brave/crazy bedraggled souls waiting along with me next to a block-long line of full garbage dumpsters.
The bad news is that 30STM does their Gold Ticket meet-and-greets after the concert instead of before like other bands, so they were occupied inside for over 2 more hours while we were outside in the rain. The good news is that it was so cold, so wet and so late that there were only about 20 of us outside of the stage door when Shannon and Tomo came out.

It was obviously too nasty for autographs and pictures, but Shannon came over to talk to us quickly while Tomo loaded up the taxi. He was honestly incredulous, What are you guys still doing out here? It's freezing. You need to go home and get warm; take care of yourselves.
So i caught a taxi back to the hotel (much easier at 2am), took a hot, hot bath and went to bed; then back to the train station in the morning to get back to work in the afternoon (which in the spirit of full disclosure i admit that i skipped any way).
I loves me a good adventure and good music.
i'm in the yellow oval

Friday, January 6, 2012

regional delights

One thing i love about traveling is finding wee tidbits that are specific to the region that you are visiting.
At a Sheetz in western PA i went to buy a Diet Coke and found this:
mmmmm...moon-misterrific

DIET FAYGO MOON MIST?

I have never heard of such a thing, but every molecule of my thirsty, tired body said, Yes, please.

needle-phobia? Not here.

In 2011 i set a goal for myself that i would achieve maximum blood donation at the Red Cross.
You can donate every 58 days, which means that i would need to donate six times in a year.
I was restricted from donating for almost a year because of being sick, so in my head i told myself that if i hit maximum donation it would mean that i was truly well again.
I did it, baby!
This week was my sixth donation in 12 months.
I think we can call that fear of needles that i used to have gone, gone, gone.
And, i think that we can call me no longer endocrinely challenged.
And, i believe that i owe myself 10 shiny Gold Stars.
Now, i just have to keep it up since maximum blood donation is on my 40 while I'm 40 list, as well.
Have you given blood lately?  It's a new year; Donate Life, people.
(graphic from Oregon Pacific Chapter website)

seeing my own city

When i go to a conference i love to take some time exploring the host city, but when it was my own city there just wasn't a lot of spare time. However, at lunch one day i did take a few moments to shoot some of the art conveniently located in the rooftop garden where i was eating:

As i shot that last picture i heard trumpet music drifting up from the street.
I didn't think that i had ever seen a street musician any place besides the Inner Harbor, but then it occurred to me that i am hardly ever any place in the city besides the Inner Harbor.

Not all public art is a joy, of course.
In the lobby of the conference is this travesty:
Man, i really, really don't like these creepy "real life" pieces at all.
{Do you remember when i found the courtyard of unholy, green children?}
Sometimes i still dream about them.





To make up for that icky statue i walked out onto Pratt St to cleanse my palate with one of my favorite piece of public art in Baltimore:

This big sail is supercool because it is kinetic; the wind spins it slowly. In fact, you have to really watch carefully sometimes to see it move at all.

Love it.

Thursday, January 5, 2012

as if i couldn't love my team more

Right before i left for work for the holiday, i rearranged the schedule so that i could take 2 full weeks (plus 1 day) off. But, there was a show on Friday (tomorrow) that i had to perform because there weren't enough people trained for the bookings. Today i called TM Joey to find out what time we needed to leave for the show tomorrow and he was all, What show? You're not on a show tomorrow. Katie learned that show. In my notes, you are off tomorrow.
?!?!?!?!?!?!?!?!?!?!?!?!?!?!?!
That's right, people; the team got the shows covered and i don't have to go to work until Monday.
That will make 18 days off in a row!
It is the longest i have been out of the office since, well, ever.
sigh... i love my team
Thanks to whomever had the idea, anyone who helped with training and to TM Katie for learning the only show that can actually kill the performer if you screw up.

Tuesday, January 3, 2012

Here's to 2012!

2011 was hectic and challenging, but overall i consider it a good year.

As far as last year's resolutions, i did pretty well:
1. Make volunteering a priority - did a bunch of information gathering and legwork, but not a lot of actual volunteering; this will remain the first priority for this year
2. Be pro-active, but patient about my health - i feel really good about not only my health, but my attitude about it; i'd call this one done
3. Establish and invigorate new and old relationships - yep
4. Write in my journal at least once a week - 39 out of 52 weeks, which is 75%

For this year's resolutions, i didn't do anything quantitative as i am still working on the 40 While I'm 40 List which is filled with quantitative goals, but instead went all qualitative with attitudes i need to make priorities:
Niki's Resolutions for 2012
1. Make volunteering a way of life
2. Treat time as a valuable resource
3. Set reasonable goals for myself
4. Live, instead of exist

Let's start out this year with a quote filled with anticipation from Jonathan Auxier's super-fun adventure book about a child thief who is blind, Peter Nimble and His Fantastic Eyes:
The start of any journey - whether pilgrimage or promenade - is one of life's true joys. Every moment is charged with an excitement about things to come. Obstacles and complications are seen not as discouragement, but as seasoning that improves the flavor of one's adventures.

Sunday, January 1, 2012

love this crazy life

If i make a plan i normally stick with it.
That is, i stick with it unless life steps in with other ideas.
I'd decided to stay in all weekend, get a bunch of cleaning and designing and blogging done and have a quiet new year's. I made a blood donating appointment for January 1st since the Red Cross does Baby Brigade drives on holidays and set up a massage for Monday.
Good plan.
Then, at 11am yesterday, i got a text requesting my presence for a New Year's celebration with fTM Matt and his lovely wife, Sara.
In Pittsburgh.
For you non-East Coasters, that's about 4.5 hours away from Baltimore.
I admit that there was raging internal debate.
For about 3 minutes.
Two hours to shower, dress, pack, change my appointments, get gas and hit the road.
I assume all of the things waiting for me at home will get done.
Eventually.

Happy 2012!

Friday, December 30, 2011

return from the arctic

Okay, i wasn't in the Arctic, just Ohio.
There are Christmas pictures and my mom's new apartment to come, as well as my goal to pare down the queue by the end of the weekend.
Hope you all had a nice holiday and are looking forward to fabulous New Year's plans.

Tuesday, December 20, 2011

Turkey Hill experience

One of the very best things that happened in 2011 is that fTM Matt and his lovely wife Sara returned to the East Coast.
Yippeeeeeee!
The first thing we did together after they arrived waaaaaaay back in August was visit the newly opened Turkey Hill experience in Lancaster, PA. For those of you not from around these parts, Turkey Hill is a dairy that makes wonderful, wonderful ice cream. They also make fabulous flavored teas and have their own min-marts.
Matt and i tried to visit the dairy a while back, but they didn't have factory tours. ...so sad...
But as soon as i read that they had opened an off-site visitor center, i texted Matt and we made a pact to go once he was in the correct timezone.
Any place that has a giant cow overlooking a giant container of ice cream outside of the front door has got to be good, right?
Let us in!

please show some restraint



























Built in an awesome old brick factory, the museum portion of the experience was upstairs. After some history of Turkey Hill and some biology of dairy cows [with Matt and Sara saying we have some of them and some of them and a calf of that... remember, Sara was raised on a dairy farm in PA] we got to the entrance

First up was the tea room where we learned all about brewing tea, different types of tea and why the machinery used in a dairy is well suited to be modified for making and bottling iced tea.
There was a fun interactive to find out what type of tea would be your favorite based on your personality; no lie, it picked the correct tea for all three of us.
Then there was the tea tasting area; you could try every single variety of their iced teas. It was fun to taste flavors that i would never normally buy.



The best place in the tea room, though, was the chill zone. Painted sky blue, there were cloud screens on the ceiling projecting a short film about Turkey Hill tea that you had to lay on your back on squishy beanbags to watch.
Very relaxing. 
Onto the ice cream discovery section we go -
right through a giant ice cream container.


This was an amazing exhibit.
Working in a museum i really pay attention to signage and flow-through and line facilitation and on-floor staff - probably more than your average guest.
I was impressed.
There was a ton of information, but all sorts of interactives as well.

First you have to make sure the milk is safe to process so we learned about microbes, both good and bad,
and then played a game to destroy the bad bacteria while cultivated the good.

After turning the milk to basic ice cream, there was a fabulous interactive on how to mix flavors. At these columns, you could emboss scents onto a card, mixing them in different ways to find ones that you liked.

Then it was time to make your own imaginary ice cream at a bank of computer terminals. Our tickets had an activation code so that once you were happy with your flavor and named it, the computer remembered it for the next station. Matt tried to recreate something like a flavor called Moose Moss that he'd had in Canada, Sara went with a coconut and pretzel mix (i think) called Quirky Lou and i created Nikilicious.

On to mixing, with a giant walk-through Disco Blender and i really hard game about the precision it takes to mix industrial amounts of various flavors. 

Time to create the packaging for our ice cream. Again, you just entered your code and up popped all sorts of designs that you could use. I'd never thought about how big the picture should be on the box or whether to have it in a bowl or on a cone. Very enlightening.



mmmmm... looks delicious
i'd buy it

As we waited in line for the last station - making a commercial for your product - i noticed a monkey sitting way up on a display. Why in the world would there be a monkey in a place all about cows?
A staff member told us that the managers place the monkey in a different place every day and the employees have to find it during the shift; so, basically all museum people are weird, not just me.
Once you were done with your commercial, there was a tasting area. they didn't have all of the flavors that Turkey Hill makes, but they had several that you could try.
There were also some mechanical cows to practice milking that were an engineering feat. Matt and Sara were both impressed that you had to use the correct finger rolling motion; I was just impressed that i managed to get it right.

Finally it was time to go downstairs to the gift shop and creamery for some treats!

All of the things that you did in the exhibit were put on a website and the address was mailed to you, which is how i have all of my Nikilicious stuff. Unfortunately, they only keep it posted for a certain amount of time, so when i went to pull Matt and Sara's things, they were gone.
But, because you've waited so patiently, here is me interviewing a cow - my hat was making me insane throughout the shoot, but you only got one take.
If you ever find yourself with a free afternoon in Lancaster, i highly recommend the Turkey Hill Experience.